"This intimate film tells a gigantic story -- about race, power and so-called development. But it is also a saga of community, resilience, resistance, and hope." Bill Bigelow, Rethinking Schools

COME HELL OR HIGH WATER follows the painful but inspiring journey of Derrick Evans, a Boston teacher who returns to his native coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Derrick is consumed by the effort to protect the community his great grandfather's grandfather settled as a former slave. He is on the verge of a breakthrough when Hurricane Katrina strikes the Gulf Coast.

After years of restoration work to bring Turkey Creek back from the brink of death, the community gains significant federal support for cultural and ecological preservation. Derrick plans to return to Boston to rebuild the life he abandoned, but another disaster seals his fate as a reluctant activist. On the day Turkey Creek is featured in USA Today for the 40th anniversary of Earth Day, the Deepwater Horizon oil rig explodes.



Grade Level: 9-12, College, Adult
US Release Date: 2014     Copyright Date: 2013
DVD ISBN: 0-615-89259-0

Reviews "This powerful documentary illustrates a classic case of environmental injustice and exposes raw in-your-face Mississippi racial politics. The film shows a clear connection between exploitation of land and exploitation of people in modern day Mississippi. Turkey Creek residents may have survived slavery, Reconstruction and Jim Crow segregation, but they may not survive the modern onslaught of post-disaster 'recovery' after Hurricanes Katrina and Rita, the BP oil spill, and the maddening 'growth at any cost' push to develop North Gulfport. Come Hell or High Water is a perfect lesson that we are not living in a post-racial era." Dr. Robert Bullard, Dean, School of Public Affairs, Texas Southern University, Author, Race, Place, and Environmental Justice After Hurricane Katrina "A deeply moving depiction of the many layers of vulnerability that affect so many communities of color in the U.S. and the dedication and sacrifices required of those who fight for justice. Viewers of this film--including students of environmentalism, social movements and local politics--will gain a vivid understanding of the complexities of environmental justice and the ups and downs of grassroots struggles, which rarely come to neat, Hollywood endings. Indeed, Come Hell or High Water brings life to the words, Long is the struggle, hard the fight." Dr. Melissa Checker, Assistant Professor of Urban Studies, Queens College, Author, Polluted Promises: Environmental Racism and the Search for Justice in a Southern Town "A very powerful film. This film explores the nexus between two powerful and important facets of American life--the surging movement to restore rivers and preserve wetlands, and the quest for environmental justice. This is the story of how one man can energize an entire community and engage in a fierce David vs. Goliath struggle, and win. It explores the burgeoning connection between protecting the environment, and protecting culture, history, and the welfare of poor communities. It is impossible to watch this movie without being moved." Daniel Craig McCool, Director, Environmental and Sustainability Studies Program, Professor, Political Science, University of Utah, Author, River Republic: The Rise and Fall of America's Rivers "This is a well-made and wonderful film that touches on so many different yet completely interconnected subjects. I would use this film in several of my classes: Environmental and Sustainability Studies, US Environmental History, and the History of the South Since Emancipation. I will recommend it to colleagues in Political Science and in Urban Planning. I'm not a film critic, but I've certainly watched a lot of documentaries, and this one is just terrific." Christopher Morris, Professor of History, University of Texas at Arlington, Author, The Big Muddy: An Environmental History of the Mississippi and Its Peoples from Hernando de Soto to Hurricane Katrina "I found The Battle for Turkey Creek a compelling story and not one isolated to Mississippi. As our Gulf Coast feels the benefit and burden of growing populations and economies, we are losing the cultures on which it was based and on what has drawn us to this very special place. There is both good and bad in that, I suppose, but the human cost is sad and often obscured as this documentary clearly portrays." Dr. Larry D. McKinney, Executive Director, The Harte Research Institute for Gulf of Mexico Studies, Texas AandM University - Corpus Christi "A unique and compelling look at how the disparate experiences of one member of the Turkey Creek diaspora are integrated to honor the history of an endangered community. The grit of this very personal portrayal can speak to secondary and post-secondary students and anyone interested in how environmental justice advocacy functions at a local level. The use of classrooms and civic institutions results in a film with high educational value. I would love to use this quality film in my classroom and other activist spaces." Dr. Jasmine M. Waddell, Resident Dean of Freshmen, Harvard College, Visiting Scholar, Heller School for Social Policy and Management, Brandeis University "Turkey Creek is emblematic of so much of what is going on in the world right now, and that part of our country. These communities are not supposed to be considered resilient. These communities were not supposed to survive, but they've survived. And the solutions that they're coming up with are the solutions that we all really need to pay attention to and lift up." Leslie Fields, Sierra Club director of Environmental Justice and Community Partnerships "The language of power and oppression is omnipresent in Come Hell or High Water, and it doesn't get any better as Katrina pounds Gulfport in 2005. Still no better when the BP oil disaster happens five years after that. The documentary captures Turkey Creek's responses to all of these tragedies - and a few remarkable victories against the powers that be." Brenton Mock, Grist