No Man's Land
Behind the scenes account of the occupation of Oregon's Malheur National Wildlife Refuge by Bundy-led armed militants and their 41-day standoff with federal authorities.
Directed by David Garrett Byars
Produced by Jeremy Chilnick, Morgan Spurlock, David Holbrooke, Stash Wislocki, David Osit, Rachel Traub
Executive Producers: Thom Beers, Michael Bloom, Dan Cogan, Adam Pincus
Editor: David Osit
Director of Photography: David Garrett Byars
NO MAN'S LAND gives a detailed, on-the-ground account of the 2016 standoff between federal authorities and protestors, led by Cliven Bundy's sons Ammon and Ryan, occupying Oregon's Malheur National Wildlife Refuge. What began as a protest to condemn the sentencing of two ranchers quickly morphed into a catchall for those eager to register their militant antipathy toward the federal government. During the 41-day siege, director David Byars was granted remarkable access to the inner workings of the insurrection as the protestors went about the daily business of engaging in an armed occupation.
"What a great film!...Could lead to a whole semester...teaching about political theory, public lands, myth-making, and Western history." Dr. John Freemuth, Exec. Dir. Andrus Center for Public Policy, Boise State
NO MAN'S LAND documents the occupation from inception to its dramatic demise and tells the story of those on the inside of this movement - the ideologues, the disenfranchised, and the dangerously quixotic, attempting to uncover what draws Americans to the edge of revolution.
Grade Level: 10 -12, College, Adults
US Release Date: 2018
Copyright Date: 2017
DVD ISBN: 1-948745-06-2
"Offers a fascinating insight into elements of rural rage in America, and their culmination in the act of desperation at Malheur Natural Preserve. The film also asks significant questions about our democracy at this time, and in general: Why do people who live otherwise comfortable lives feel oppressed? What are the proper and effective ways to make a political statement in a democracy? What place, if any, do military style weapons have in civilian life and democratic protest? As the nation struggles with the political divisiveness of the Trump era, and enduring rage and resentment among the white working class, we must come to grips with the important questions No Man's Land poses."
Dr. Firmin DeBrabander, Associate Professor of Philosophy, Maryland Institute College of Art, Author, Do Guns Make Us Free? Democracy and the Armed
"What a great film! No Man's Land reveals the iconic sagebrush west, and the people who fight over it and call it home, in ways most coverage of the Malheur occupation did not. As someone who teaches and writes about the public lands of the United States, I know viewing the film could lead to a whole semester, using what happens and what is said, for teaching about political theory, public lands, myth-making, and western history. The possibilities are wide and deep."
Dr. John Freemuth, Executive Director, Andrus Ctr for Public Policy, Professor of Public Policy and Administration, Boise State University
"The film finds a story about tension in rural America, why people might violently defend their shrinking opportunities in the name of what they consider 'cultural heritage,' and what happens when we lose our common bonds and 'start worrying who our neighbors are'...This is the definitive documentary about the mindsets of the key players of the Malheur Standoff as it happened. It is highly recommended for studies about domestic right-wing extremism, rural politics, and land management issues."
Phil Salvador, Educational Media Reviews Online
"[An] intensely visceral documentary which shows just how far some fringe segments of the population are willing to go to stand up for their beliefs."
Frank Scheck, The Hollywood Reporter
"Excellent. An engaging and balanced account of the Malheur Wildlife Refuge occupation of 2017. While leaving no doubt that the occupiers acted illegally, the film gives fair voice to the frustrations of the Bundy brothers and their many silent supporters. In documenting the tragic consequences of uncompromising division over a seemingly isolated public policy issue, the film provides a cautionary lesson for everyone in our divided nation."
James Huffman, Dean Emeritus, Professor of Law, Lewis and Clark Law School
"Raw and emotional...Goes beyond the debate over federal lands and its clichéd storylines. Offered instead are more complicated and deeply personal views - on government, the law, democracy, protest, violence, socioeconomics, and culture - that will be sure to engender student interest and debate."
Martin Nie, Professor, Natural Resource Policy, Director, Bolle Ctr for People and Forests, University of Montana, Author, The Governance of Western Public Lands: Mapping Its Present and Future
"No Man's Land is consistently compelling, and is bound to again stir strong reactions to this clash between self-appointed militias and the laws of the land."
Kristi Turnquist, The Oregonian
"Provides a chilling insight into the real domestic threat in this country, i.e. white Christian Americans challenging the US government with conspiracy theories and semi-automatic guns, whose message gets amplified uncritically by sensationalist media and whose actions are excused by juries and politicians. It should be watched by everyone concerned with liberal democracy in the US today."
Cas Mudde, Associate Professor of International Affairs, The University of Georgia, Author, The Far Right in America
"Fascinating...No Man's Land provides extensive insight into the perceived grievance of the militants who occupied Malheur National Wildlife Refuge."
Nancy Langston, Professor of Environmental History, Michigan Technological University
"Makes the fly-on-the-wall viewer fully feel the peril and the underlying, aggressive masculinity that surrounds it all."
Tomris Laffly, Film School Rejects
"No Man's Land provides an in-depth and even-handed portrait of the occupation of Malheur National Wildlife Refuge...It does an excellent job capturing the current mood and underlying sense of dispossession and victimization that pervades far-right extremism in the United States. This provides an important resource for use in a number of college-level courses that address issues such as social movements, extremism, and contemporary politics."
Dr. Peter Simi, Associate Professor of Sociology, Director, Earl Babbie Research Center, Chapman University
"The foreboding conclusion: more of such generalized nihilist rage can be expected from self-proclaimed 'patriots' in the Trump era. Recommended."
C. Cassady, Video Librarian
|DVDs include public performance rights.
DVD includes closed captions, optional subtitles in English and chapters.
Awards and Festivals
Nationwide Broadcast on PBS's "Independent Lens"
Tribeca Film Festival
Big Sky Award, Big Sky Documentary Film Festival
Jury Award, Wild & Scenic Film Festival
Special Jury Prize, Crested Butte Film Festival
Best Documentary Feature, Port Townsend Film Festival
Grand Jury Selection, Best Documentary, Gasparilla International Film Festival
Finalist, Best Documentary Feature, Denver Film Festival
Camden International Film Festival
Mill Valley Film Festival
Telluride Mountainfilm Festival
DOXA Documentary Film Festival
Environmental Film Festival in the Nation's Capital
Hot Springs Documentary Film Festival
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"A very interesting and informative documentary...Stunning and intimate...David Byars's nuanced treatment of the occupiers, local residents, authorities and ideologies involved provides valuable insight into an event which continues to baffle land managers and politicians. This documentary sets the baseline for our understanding of what happened in Harney County, Oregon, in January of 2016."
Dr. Leisl Carr-Childers, Assistant Professor of History, University of Northern Iowa, Author, The Size of the Risk: Histories of Multiple Use in the Great Basin
"Fascinating...An essential guide to the occupation and the fall-out, the film summarizes the issues without sensationalizing the event as the protests fails...No Man's Land is a riveting, comprehensive documentary."
John Fink, The Film Stage